Main Gallery

Exhibitions in the Main Gallery showcase art in all mediums, as well as exhibitions featuring cultural history and science.

Current Exhibition: LEWIS LANZA RUDOLPH 1949-2012

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May 20 – September 4, 2016

Reclusive artist Lewis Lanza Rudolph was a lifelong resident of Red Bank, New Jersey. Rudolph was a highly respected and sophisticated artist exhibiting his work in both New Jersey and New York galleries in the late 1970’s through the 1980’s. Lewis Rudolph received a New Jersey State Council on the Arts Fellowship in 1983. “When I showed Rudolph’s works (in 1987) I felt he was one of the best abstract painters I had seen in a long time.” Said Ellen Sragow, Sragow Gallery NYC.

New York Times January 1982 quoted, “Mr. Rudolph seems mostly interested in the emotional effects of color…” Artist Franc Palaia said of his friend’s style, “He developed a painting style, although unique and all his own, that was a sly but honest and respectful blend of late Picasso, late deKooning and lesser known Max Weber.”

From May 20 – September 4, 2016, the Monmouth Museum will present an exhibition of Rudolph’s Abstract Oil Paintings, many of a prophetic nature, in the Main Gallery. Some depict women, love, loss and confusion, and at the other spectrum, the Museum will also feature landscapes from his very early years, of the Navesink River. The Opening Reception that is free and open to the public will be held on May 20th from 6:00 – 8:00 PM, refreshments will be served. Available to read, will be copies of handwritten notes that Rudolph wrote to gallery owners, lovers, and to fellow artists.

By choice, in the early 1990’s Rudolph withdrew from the art scene and into his studio. Why he stopped exhibiting his work remains a mystery. Lewis Lanza Rudolph died in 2012 leaving a lifetime of artwork behind.

“I paint two paintings, one for myself and one for the audience. The painting for the audience is abstract. The painting for myself is a fantasy world vision, a surrealistic vision. My paintings can be called Abstraction.” Said Rudolph on a hand written note found by his sister, Denise Ecenroad of Schaefferstown, PA.

After Rudolph’s death, his sister discovered nearly 500 paintings in his home – brilliantly crafted pieces of abstract art, primarily 4 by 5 feet in size. She recalls him drawing at a very young age, and painting a mural on his bedroom walls of a western theme with cowboys. “I want to make the room look beautiful” she recalls him saying to their mother. As a teenager he continued to draw landscapes and in 1969 enrolled in the Art Student League of New York until he was drafted by the military in 1970. It was when he came back from the service that he started to paint abstracts.

In addition to his one person exhibitions, he was in several group shows including: the Annual Juried Exhibition at the Monmouth Museum, Lincroft, NJ in 1977; in 1978 at the New Jersey State Museum, Trenton, NJ; in 1981 at Tweed Art Group, Plainfield, NJ; and in 1983 at City Without Walls, Newark, NJ.

In January 1980 he was favorably reviewed in the New York Time., and Rudolph continued to show his work in the metropolitan area, including Sragow Gallery and the prestigious Beitzel Gallery in New York City. The last record of a showing of Rudolph’s art that Ecenroad could find was from 1987. “Apparently he just stopped showing at the height of his career,” she said. But he didn’t stop painting. His paintings span five decades. She found records indicating Rudolph sold paintings in the 1980s for $2,800 to $4,800.

Ecenroad has developed a website,, telling what she knows of her brother’s story and displaying some of his artwork. Her ultimate goal is to sell his paintings and to take the proceeds and offer scholarships and grants to budding artists. “I’m sure he’d appreciate that he helped give someone else the same opportunity he had.”

Franc Palaia, an artist who has exhibited at the Metropolitan Museum of Art, the White House, The New Museum and the Smithsonian Institute, and the Museum of Modern Art in NYC said of his friend Lewis Rudolph, “ He seemed to have a natural instinct of how to make a perfect oil painting with complex compositions of stylish and confident brushstrokes, utilizing a multitude of rich visual textures, luscious color, animated shapes and forms that dance together on the picture plane, balanced and completely pleasing to the trained and untrained eye.”

The Monmouth Museum, founded in 1963 as a Museum of Ideas, presents changing art, history and science exhibitions to educate and entertain while providing a destination for creative expression and life-long learning to the diverse community it serves.

36 Fear of the Sky177 The Black Pool94


Images Left to Right: Fear of the Sky, Oil on Board 1985 $10,000; The Black Pool, Oil on Board 1995 $2,500; Navesink River, Oil on Canvas Board 1970s NFS.

Upcoming Exhibition: Neo-Latino: Critical Mass

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September 16 – November 6, 2016

When does a population reach a point of pivotal change? When does a group go from being an element of a community to being a leading voice in its future? These are questions examined in Neo-Latino: Critical Mass, a group art exhibition presented at the Monmouth Museum from September 16 – November 6. This is a pivotal time for the Latino/a voice, especially with this year’s monumental election. The works of art presented will delve into the importance of a collective but diverse visual dialogue around the cultural and socio-political Latino/a experience. Critical Mass will feature artists with roots in or ties to Argentina, Colombia, Cuba, Dominican Republic, Ecuador, Mexico, Panama, Peru, Puerto Rico, Portugal and Spain.

Neo-Latino is a collective of diverse artists collaborating to curate and create a space for the Latino/a voice in the 21st century. The artists selected to exhibit their work are:
Luis Stephenberg Alers, Imna Arroyo, Josephine Barreiro, Hugo X. Bastidas, Olga M. Bautista, Monica S. Camin, Angélica Muñoz Castaño, Christie Devereaux, Ricardo Fonseca, Carlos Frias, Maria Cristina Jadick, Alexis Mendoza, Elizabeth Jiménez Montelongo, Hugo Morales, Lisette Morel, Gabriel Navar, Isabel Nazario, Julio Nazario, George Rivera, José Rodeiro, Catalina Santamaria, Nicola Stewart, Sergio Villamizar, Raúl Villarreal.

The growing population and diverse cultures in the United States exist in constant flux and are moving toward a Latino-integrated/majority/infused future. The Neo-Latino collective believes that the presence and voice of Latinos/as in the arts is now more critical and constant than ever.

Artworks on image above: Monica S. Camin Critical Mass 64″x 54″ Oil pastel, pencil & paper 2016; José Rodeiro Picnic at Bath Beach 40”x 30” Oil on canvas 2016; Ricardo Fonseca An Act of Love 24″ x 36″ Digital photographic manipulation 2014; Raúl Villarreal Neo-Latino flag logo.